Spitfire Audio Heinbach - Landfill Totems
Experimental Virtual Instrument
One-of-a-Kind Electronics from a Sonic Innovator
Made in collaboration with Berlin-based composer, producer, and pioneer in experimental electronics, Hainbach, these one-of-a-kind, complex sounds have been expertly created from vintage test equipment collected from nuclear research labs and scrap heaps - given a new lease of life and transformed into instruments by the artist.
Developed further and presented in Spitfire's award-winning plug-in, discover eerie morse code bleeps, comms signals and flickering bass pulses; deep drones, ominous pads and grainy textural rhythms; industrial drum hits and loops; electromagnetic noise and heavenly humanoid 'voices'.
Create high-contrast atmospheres of suspense, tension and beauty, whether you're writing techno, ambient music, or a cutting-edge film score.
It's a library you can really get lost in, and it's a ton of fun.
The Landfill Totems project started life as a performance installation at PNDT Gallery, expanding exponentially into a full album and an accompanying sound library recorded at Patch Point Studios, Berlin.
When observing these anthropomorphic figures, a deep appreciation and affection for the engineering technology of the past is apparent; totally unique vintage machines, assembled for one final swan song (one of the presets captures the sound of a machine dying).
Stacked into three monolithic towers resembling totem poles, each piece of equipment was chosen for its distinctive tone generation and modulation abilities - wired together much like a modular synthesizer.
Upcycled and redesigned, these totems act as a commentary on the environmental cost of progress; what was once the pinnacle of technology quickly becomes unviable and destined for the scrapheap, if not for the intervention of Hainbach - creating beauty from that which is thought to be obsolete.
Among his collection are once high-end medical, telecommunication and scientific research equipment, vintage sound-testing devices, a Nuclear Instrumentation Modular, an outmoded medical signal generator, a mixer previously used by the Stasi, the state security service in former East Germany, and a Brüel & Kjaer 1613 Bandpass filter creating hi-hat, bass drum and watery sounds.
Meticulously recorded by Hainbach and processed further by Spitfire Audio, these dystopian sounds are impossible to recreate.
The sample library offers a world of sonic possibilities far beyond its original analog state, with many of the sounds morphing and evolving as you play, as well as a wide range of in-built controls and effects to drastically manipulate each of the presets.
Features
- In-built effects and controls providing a wealth of complex sonic possibilities to drastically control and manipulate each of the presets - including Attack, Release, Reverb, Delay, Stretch and Distort
- Dynamics fader controls the processed signal, offering a spectrum of sounds within each preset
- Each sound is velocity sensitive for varying tones
- Available in Spitfire's award-winning, dedicated plug-in
- One-of-a-kind sounds that are impossible to recreate - made from rare, obsolete test equipment which has been expertly curated and manipulated
- A library of stark sonic contrasts - from harsh, futuristic and dystopian to beautiful and emotive sounds from another world
- Designed for creating tension, suspense, beauty, for any setting - from electronic tracks to hybrid film scoring or abstract sound design
Presets
Kling
- Distance
- Blip
- Tension
- Third Place
- Spacewalk
- Noise & Beauty
- Deep Space
- Malfunctions
- Penultimate Boss
- Resonate
- Conway's Game
Klang
- Data Drone
- Raw Beauty
- Beauty Oscillator
- Broken Oscillator Keys
- Test Equipment Organ
- Analog Motion
- Machine Drift
- Dark Motor Drones 1
- Dark Motor Drones 2
- Analog Shorts
- Analog Bends
Knarz
- Bug Zapper
- UFO
- Heat-Ray
- Flicker
- Pocket Dialing
- Water
- Noise Machine
- Circuit
- Light Bloom
- Doppelgänger
Krach
- Drum Hits 1
- Drum Hits 2
- Drum Hits 3
- Drum Loops 1
- Drum Loops 2
- Drums Hits & Loops
- Motors
- Machine
Controls
- Expression
- Dynamics (controlling Processed signal)
- Attack
- Release
- Reverb
- Delay
- Stretch
- Distort
System Requirements
- MacOS 10.15 Catalina and above
- Officially supported up to MacOS 13 Ventura
- Windows 10 and above (64-bit only)
- Intel, AMD, or Apple Silicon CPU
- 8GB RAM or more (16GB or more recommended)
- 1GB free storage space
- Includes 2 activations per license
Plugin Formats
AAX Native, AU, VST2, and VST3
User Manual