Impact SoundWorks Circle Drone of Doom

Synthesizer Library for Kontakt Player


Six raw analog oscillators that can be multiplied, warped, and shaped with the simple turn of a knob or push of a button.

More streamlined and inspiring than an ordinary synth; much more versatile than an ordinary drone.

Capable of killing it on pads or beds, leads, poly synths, even a tight punchy bass - especially dark, dirty, gritty, industrial, and thick sounds.

An off-the-wall collaboration with Look Mum No Computer - perfect for dystopian world-building, crunchy game soundtracks, or to double a modern metal guitar line.


About the Library

We love analog drone synthesizers - they are enormous, imposing, and uncompromising, with absolutely no subtlety, just raw voltage pumped out as colossal, undulating tidal waves of sound.

How do you bring that sonic concept into the virtual realm without losing its essence? And just how far can you take it? That's what ISW set out to answer with this library.

Circle Drone of Doom began life as the titular instrument from Look Mum No Computer.

ISW wanted to keep the killer sound and directness of the real analog hardware, but kept finding more features to add and new ways to improve the workflow.

The result is something that functions a lot like a synth, with much more straightforward controls.

The fun and creative design is meant to inspire you to dive in and get your hands dirty, discovering new sounds as you play with it.

Every knob and setting sounds good (even if "good" sometimes means "massively, brutally chaotic").


Straightforward Controls, Massive Sound

Start with six oscillators with the warm, rich sound you can only get from a 100% analog signal path.

Each oscillator has its own independent tuning, making it easy to get cutting, tightly-tuned leads and basses as well as 3-octave mega-detuned monsters.

Turn the multiply knob for more, more, more (up to 48 voices on a single note) with as much or as little spread and detune as you want.

A multimode filter dripping with character comes next, with easy motion you can introduce using just a single knob turn.

Top it off nicely with three flavors of circuit-modeled distortion and saturation (dark, medium, warm), either just a touch or enough to obliterate the signal into sonic madness.

No complicated UI here, ISW very deliberately added the most impactful controls rather than adding dozens and dozens of knobs and sliders that would just water down and muddy the character and experience of this beast.


A Multitool of Musical Inspiration

Far from a single-use instrument or a straightforward drone, Circle Drone of Doom morphs and shifts to a huge range of sounds within the flavor of its distinctive character.

ISW think it's an ideal companion to their Bundle of Doom. If you're writing modern metal; use it to double your Shreddage 3 Argent leads and heavy riffs.

And if you're building dystopian soundscapes or scoring dungeon crawls, you'll find true cinematic-ready presets ready and waiting for you: big, washy drones; crunchy analog synths; heavy, distorted darkness; massive chaos; unsettling creepiness - to name just a few.


Look Mum No Computer

LOOK MUM NO COMPUTER is the stage name of multi-disciplinary artist and inventor Sam Battle.

LMNC is a touring musician, museum owner and curator, music producer, songwriter, and content creator as well as being the UK’s 2026 entry for the Eurovision Song Contest.

He has amassed a devoted following of over 1.6 million with his genius musical inventions, catchy songs and infectious excitement over old tech.

Sam’s parallel career as an inventor has earned him widespread critical and public attention.

His creations, among them the now-iconic Furby Organ and the Flamethrower Organ, have achieved viral success and received prominent coverage across major media outlets including the BBC, ITV, and NME.

Sam is also the owner and curator of This Museum is (Not) Obsolete, located in Ramsgate, which houses the Guinness World Record-holding Thousand Oscillator Megadrone, alongside the Furby Organ, the Gameboy Megamachine, and a range of other creations.


Features

  • One-of-a-kind custom instrument
  • Totally unique UI to invite creative experimentation
  • 6 pure analog oscillators, each independently-tunable up to 3 octaves
  • Badass custom dual-stage distortion with adjustable tone and color
  • 125+ inspiring presets, perfect for cinematic scores, game soundtracks, modern metal & more
  • One-knob galactic reverb & THX effect

System Requirements

  • Native Instruments Kontakt Player 7.10 and above OR Kontakt Full 7.10 and above
  • MacOS 10.15 Catalina and above
  • Windows 10 and above (64-bit only)
  • Intel, AMD, or Apple Silicon CPU
  • 6GB RAM or more
  • 15GB free storage space

Plugin Formats

AAX Native, AU, VST3, Standalone, NKS


User Manual
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