AAS Objeq Delay 2

Next-Level Delay, Powered By Physical Modeling

Objeq Delay 2 merges classic delay techniques with acoustic resonance in ways no other effect plug-in can match.

Four delay topologies range from elegantly simple to intricately novel, with select modes featuring immersive psychoacoustic panning.

Dual modulators provide LFOs, dynamics-based controls, and pitch tracking, enabling evolving and responsive effects.

AAS's morphable acoustic filter weaves through it all, transforming these powerful tools into something entirely new.

What's New

• One extra modulator
• New Objeq module
• Three new modulation sources
• Brand-new user interface
• Four delay topologies
• Brand-new library with 100+ presets

Dual Modulators

While LFOs are staples of effect movement, dynamic sources (envelope follower, RMS) and pitch tracking expand what's possible.

Work with each modulator independently or combine them to create complex, performance-responsive effects.

Six Modulation Sources

Rectangular, triangular, and sine shapes deliver familiar rhythmic motion, while RMS, envelope follower, and monophonic pitch tracking open the door to level, performance, and note-responsive effects.

The result is modulation that feels both flexible and alive.

Four Delay Topologies

One-tap, two-tap, four-tap, and split give Objeq Delay 2 a wide creative range, covering everything from simple echoes to animated multi-tap textures and staggered rhythmic patterns.

Whether you want subtle support or bold transformation, each topology opens a different path.

Psychoacoustic Panning

Psychoacoustic processing uses arrival times and spectral cues to position sounds in the stereo field resulting in a more subtle, immersive, and natural response.

Objeq Filter

Morph between plate, beam, drumhead, and string responses for a wide range of resonant colours.

Flip the polarity switch to uncover alternate voicings and fresh tonal contours.

More than a filter, Objeq becomes an expressive sound-shaping instrument in its own right.

Filter Module

Dual low and high‑cut filters with adjustable Q and 1, 2, or 4‑pole slopes let you move from subtle contouring to bold tonal sculpting.

Tighten lows, smooth highs, and focus the resonance with precision, giving you clear control over weight, presence, and clarity.