{"title":"UHE","description":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/uhe-banner.png?v=1560362869\" alt=\"u-he\"\u003e","products":[{"product_id":"uhe-satin","title":"u-he Satin","description":"\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/jZ_06w0zTu8\" height=\"433\" width=\"717\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eSatin: Luscious Tape Machine\u003c\/h3\u003e\n\u003cp\u003eNothing else sounds quite like tape.\u003c\/p\u003e\n\u003cp\u003eSatin puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks.\u003c\/p\u003e\n\u003cp\u003eAll the good (saturation, transient smoothing, compression) as well as the bad (noise modulation, flutter, hiss) qualities are under your control.\u003c\/p\u003e\n\u003cp\u003eConstruct your (im)perfect tape machine.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLush analog tape sound\u003c\/li\u003e\n\u003cli\u003eIncludes historical developments in tape technology\u003c\/li\u003e\n\u003cli\u003eControl up to 8 instances of Satin at once using the Group panel\u003c\/li\u003e\n\u003cli\u003e5 popular noise reduction encoder \/ decoder models\u003c\/li\u003e\n\u003cli\u003eService panel: Controls for hiss, wow and flutter, bias, head gap, azimuth, saturation, high frequency compression and more\u003c\/li\u003e\n\u003cli\u003eModern or vintage tape material\u003c\/li\u003e\n\u003cli\u003eInternal sample rate up to 384kHz\u003c\/li\u003e\n\u003cli\u003e5 circuit models for recording and reproduction EQs\u003c\/li\u003e\n\u003cli\u003eStereo delay mode (2 or 4 heads) with multiple-mono, cross or ping-pong routing\u003c\/li\u003e\n\u003cli\u003eTape flange mode with classic through-zero flanging\u003c\/li\u003e\n\u003cli\u003eAdjustable tape speed from 1.87 to 30ips\u003c\/li\u003e\n\u003cli\u003ePre-emphasis and soft clipping options\u003c\/li\u003e\n\u003cli\u003ePreset browser with search functions\u003c\/li\u003e\n\u003cli\u003eNKS FX compatible\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eSkinnable UI\u003c\/li\u003e\n\u003cli\u003e120+ factory presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003eOnce reserved for major studios, digital recording has become widespread.\u003c\/p\u003e\n\u003cp\u003eIt offers pristine sound and comfortable editing at a fraction of the cost of multitrack tape.\u003c\/p\u003e\n\u003cp\u003eDespite all the advantages, however, digital audio can easily sound too clean and impersonal.\u003c\/p\u003e\n\u003cp\u003eSo musicians, producers and audio engineers have turned to traditional analogue tools to bring some life back into overly clinical recordings.\u003c\/p\u003e\n\u003cp\u003eA world of non-linear behaviors, distortion, saturation and much more arises during tape recording and playback.\u003c\/p\u003e\n\u003cp\u003eBringing these coveted characteristics of magnetic tape into the digital realm, in unprecedented quality - this is what Satin is all about.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThe Sound\u003c\/h3\u003e\n\u003cp\u003eThat tape sound depends on interaction between the various parts of a tape machine. Each contributes in one way or another - enhancing, reducing, combining - to generate the final sound.\u003c\/p\u003e\n\u003cp\u003eSatin models individual components and lets them interact in the same way.\u003c\/p\u003e\n\u003cp\u003eFor maximum flexibility in sound shaping, Satin is a toolkit of alternative parts, not an emulation of a single machine. Build your own custom tape unit.\u003c\/p\u003e\n\u003cp\u003eThe perfect final sheen for your mixdown, or \"glue\" multiple drum tracks together, decode old NR-encoded cassette tape, or misuse Satin for extreme effects.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDelay and Flange\u003c\/h3\u003e\n\u003cp\u003eAfter developing the components for a tape machine toolkit, our minds turned other popular tape-based machines. Delay and flange immediately jumped to mind.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelay mode lets you construct your own tape delay machine rather than emulate any specific model. A few clicks and you will be deep in echo in no time.\u003c\/p\u003e\n\u003cp\u003eChoose between two or four \"tape heads\", adjust tape speed, select tape material, turn up the feedback, select signal routing, add some filtering.\u003c\/p\u003e\n\u003cp\u003eYou can add motion to each individual \"tape head\" for a more organic feel. Tweak the Service Panel options and give your sound the characteristic shimmer of a classic tape echo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFlange mode emulates the special technique of running identical recordings on two tape machines, then lightly pressing a finger on the reels to move the recordings in and out of phase.\u003c\/p\u003e\n\u003cp\u003eIt was a skill that required patience and light touch.\u003c\/p\u003e\n\u003cp\u003eLuckily, Satin now makes it much easier and faster, all at the press of a button. For longer flanging effects or more precise control you can use the slider, either manually or automated.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eIn Service\u003c\/h3\u003e\n\u003cp\u003eImagine opening up a tape machine, peeking \"under the hood\" and tinkering with the parts.\u003c\/p\u003e\n\u003cp\u003eThat is what service technicians used to do, and it is what the Service Panel in Satin is for.\u003c\/p\u003e\n\u003cp\u003eIt gives you detailed control over some of the more esoteric and characterful elements.\u003c\/p\u003e\n\u003cp\u003eIn the Tape section are perhaps the more readily identifiable attributes of tape recording: hiss, asperity, wow \u0026amp; flutter, crosstalk and bias.\u003c\/p\u003e\n\u003cp\u003eDial in a little of each for a retro vibe or \"glue\". Dial in the extreme settings and you can end up with the sound of poor quality tape left in someone's basement far too long.\u003c\/p\u003e\n\u003cp\u003eThe Repro Head(s) parameters control the physical attributes of the tape heads. With Gap Width and Bump you can cut or boost certain frequencies and introduce resonances and fluctuations.\u003c\/p\u003e\n\u003cp\u003eAzimuth pushes the audio off-centre for interesting spatial effects, mimicking a skewed tape head.\u003c\/p\u003e\n\u003cp\u003eFinally the Circuit section lets you change the inner EQ circuitry.\u003c\/p\u003e\n\u003cp\u003eIncluded are various industry standard EQ curves, should you want to mimic specific machines.\u003c\/p\u003e\n\u003cp\u003eBut Satin goes a step further by allowing independent selection of the recording and reproduction EQ curves.\u003c\/p\u003e\n\u003cp\u003eWhich you can abuse for weird processing effects, or to correct EQ errors in old recordings.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDecoding\u003c\/h3\u003e\n\u003cp\u003eSelectable Compander and Circuit settings make Satin useful as a format converter.\u003c\/p\u003e\n\u003cp\u003eIf you have a tape recording with an unsuitable EQ, using Circuit’s independent RecEQ and ReproEQ selectors you can set a new target EQ curve and make changes.\u003c\/p\u003e\n\u003cp\u003eSimilarly, Compander can handle audio recorded with specific noise reduction (NR) encodings. Just run it through Satin with Decoder set to match the known NR encoding type.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7664602382396,"sku":"UHE-SAT","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Satin.png?v=1527300316"},{"product_id":"uhe-presswerk","title":"u-he Presswerk","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ciframe width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/JSIHioY7RK8\" frameborder=\"0\" allow=\"Format-AUtoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003cp\u003e\u003cspan\u003ePresswerk is a powerful dynamics processor with a musical soul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn easy-to-use interface and a rich feature set give you hands-on control over all details of your sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePresswerk doesn't emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePresswerk has all the features you expect in a compressor...\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSidechaining\u003c\/b\u003e: use ducking to create more space in your mixes, or get creative with keying and pumping effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eAdjustable compression curve and envelope\u003c\/b\u003e. Find the best settings, get the most out of youraudio using the soft knee, compression ratio, attack and release and other controls.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eLoud.\u003c\/b\u003e Oh yes, Presswerk is more than capable of making your tracks louder!\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSoft Clip\u003c\/b\u003e. Roll off those harsh peaks and avoid distortion when output levels get too high.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003ePlus what we added to enhance Presswerk's capabilities:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e6 special views\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efor better workflow: Drum Compressor, Vocal Compressor, M\/S Program Compressor, Easy Compressor, Bus Compressor, Limiter\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eM\/S mode\u003c\/b\u003e. More detailed stereo signal processing\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDual Phase Rotator (DPR)\u003c\/b\u003e: applies a radio broadcaster's trick to reduce unwanted asymmetries in the signal. It smears phases, increases headroom a little and adds bass 'oomph'.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSaturation.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThis is where Presswerk really shines - adding colour and character to your audio. Apply Saturation sparingly for subtle warmth and transient-taming, or crank it up to create tape overdrive-like effects.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInternal parallel compression.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eThe Mix controls let you blend the compressed and uncompressed signals. This helps preserve some of the original, natural dynamics.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eVariable detection topologies\u003c\/b\u003e:\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFeed-forward\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis modern and 'surgical', it tracks the input very precisely.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFeed-back\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis 'musical', loose-sounding and forgiving - like classic hardware.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInteractive\u003c\/b\u003e continuously analyzes the signal and blends FF and FB accordingly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAdjust and store global preferences\u003c\/li\u003e\n\u003cli\u003eNew MIDI learn controls\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7664632496188,"sku":"UHE-PW","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Presswerk.png?v=1527300315"},{"product_id":"uhe-repro","title":"u-he Repro","description":"\u0026lt;\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/4QDL2eroCqc?list=PLNx8ODC0um5sK6cBkDY1R03mB3upOahAE\u0026amp;ecver=2\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eRepro: Analog, Meticulously Recreated\u003c\/h3\u003e\n\u003cp\u003eRepro dives into the past for analog inspiration, meticulously modeling two famous synthesizers.\u003c\/p\u003e\n\u003cp\u003eEvery detail of the original was captured using component-level modelling technology to create the most authentic model possible.\u003c\/p\u003e\n\u003cp\u003eAll the subtle characteristics and quirks found in the originals are present in Repro.\u003c\/p\u003e\n\u003cp\u003eOne product, one installer, two synths: Repro-1 and Repro-5.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eRepro-1\u003c\/h3\u003e\n\u003cp\u003eRepro-1 is a fierce mono synth: hard-working, raw sounding and immediately playable. The classic design is simple and intuitive but belies a deep feature set capable of a wide range of sounds.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful analogue sound using component-level modeling\u003c\/li\u003e\n\u003cli\u003e2 multi-wave oscillators: saw\/pulse and saw \/ triangle \/ pulse\u003c\/li\u003e\n\u003cli\u003eTweak page for adjusting component behavior\u003c\/li\u003e\n\u003cli\u003e4-pole resonant lowpass filter\u003c\/li\u003e\n\u003cli\u003eProudly monophonic\u003c\/li\u003e\n\u003cli\u003eArpeggiator with latch mode\u003c\/li\u003e\n\u003cli\u003eTwin 32-step sequencer, 64 steps if chained\u003c\/li\u003e\n\u003cli\u003eBuilt-in effects: analog-style delay \/ chorus, EQ \/ resonator, plate reverb, sonic conditioner, wave folder\u003c\/li\u003e\n\u003cli\u003e3 modulation sources controlling 5 destinations\u003c\/li\u003e\n\u003cli\u003eSleepy mode to save CPU when Repro-1 is idle\u003c\/li\u003e\n\u003cli\u003eHost-syncable LFO with 3 waveforms\u003c\/li\u003e\n\u003cli\u003eOver 500 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.1.2: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\u003ciframe width=\"717\" height=\"433\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/egBh0Y0TUsI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eRepro-5\u003c\/h3\u003e\n\u003cp\u003eRepro-5 is the new polyphonic addition. It has a lot in common with Repro-1, a similar design and feature plus shared sonic DNA. But Repro-5 introduces new flavors, most notably is the ability to play lush chords or thick unison leads, while keeping the authentic analog sound.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowerful analog sound using component-level modeling\u003c\/li\u003e\n\u003cli\u003e2 multi-wave oscillators: saw\/pulse and saw \/ triangle \/ pulse\u003c\/li\u003e\n\u003cli\u003eTweak page for adjusting component behavior\u003c\/li\u003e\n\u003cli\u003e4-pole resonant lowpass filter\u003c\/li\u003e\n\u003cli\u003eBased on famous 5-voice polyphonic hardware synth\u003c\/li\u003e\n\u003cli\u003e8 voice polyphonic, or up to 8 voice unison with optional glide\u003c\/li\u003e\n\u003cli\u003eIndividual voice panning\u003c\/li\u003e\n\u003cli\u003eAudio-rate voice modulation: Oscillator A frequency, pulse width, filter cutoff\u003c\/li\u003e\n\u003cli\u003ePolyphonic distortion unit with 4 types including bit crusher\u003c\/li\u003e\n\u003cli\u003eBuilt-in effects: analog-style delay \/ chorus, EQ \/ resonator, plate reverb, sonic conditioner, tape emulation effect\u003c\/li\u003e\n\u003cli\u003eOver 950 factory presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAt first glance, Repro-1 and Repro-5 are simple and intuitive, but the clean and classic designs hide deep feature sets capable of a wide range of sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003eRepro-5 shares a lot of sonic DNA with Repro-1, but adds new flavors and characteristics. First: it's polyphonic! Play rich pads, shape them using the resonant lowpass filter, drive the polyphonic distortion unit as hard as you like, and finally polish your sound with five built-in effects. Keep it lush, or go for thick detuned unison leads. Repro-5 adds new dimensions to the familiar classic sound while keeping analogue authenticity front and centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eTweaks Panel\u003c\/h3\u003e\n\u003cp\u003eEye-candy like in Repro-1, the Tweaks page is there to let you change the fundamental behavior of individual modules. The Repro-5 version includes 10 user-adjustable jumpers (mini circuit connectors) and 6 module tweak selectors, plus Microtuning. All the main controls of the synthesizer are also accessible.\u003c\/p\u003e\n\u003cp\u003eAdditionally, since Repro-5 is polyphonic, there's access to a row of 8 trimmers used to set a stereo pan position for each individual voice.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePolyphonic Distortion\u003c\/h3\u003e\n\u003cp\u003eWhile Repro-1 includes a sequencer, Repro-5 comes with a distortion unit.\u003c\/p\u003e\n\u003cp\u003eEach voice has its own processor, which means there is no interaction between notes in a chord.\u003c\/p\u003e\n\u003cp\u003eThe distortion gets applied to the signal before the rest of the included effects.\u003c\/p\u003e\n\u003cp\u003eThere are four different modes available: Soft Clip, Hard Clip, Foldback, and Corrode - a sample rate reducer and bit crusher, all-in-one.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eStompboxes\u003c\/h3\u003e\n\u003cp\u003eRepro-5 ships with a set of 5 (excluding the distortion unit) high quality effects in the shape of stomp-boxes. From subtle to extreme adjustments, this section expands the polyphonic synthesizer's capabilities beyond expectations.\u003c\/p\u003e\n\u003cp\u003eWhile Repro-1 includes Jaws (a wavefolder), Repro-5 replaces it with a saturation unit: Velvet, with support to different modes, followed by the same effects found in the monophonic brother: Lyrebird (a flexible delay, which inspired the creation of Colour Copy), RESQ (semi-parametric EQ or resonator), Drench (a lush plate reverb), and Sonic Conditioner (a stereo saturator and transient designer - to add the right amount of gelatine to your patches). All effects are rearrangeable through drag and drop in the FX Chain section.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7664947658812,"sku":"UHE-REPRO","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/ReproGuis.png?v=1634641364"},{"product_id":"uhe-hive","title":"u-he Hive 2","description":"\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/0cam8cb2C_o\" height=\"629\" width=\"1066\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eSleek, streamlined, supercharged\u003c\/h3\u003e\n\u003cp\u003eWith its effortless workflow and low CPU usage, you can create stunning patches in next to no time at all. Hive is quick and uncomplicated, without sacrificing flexibility or audio quality. Now packed with more controls than ever, version 2 opens up new dimensions of expression... and sheer fun!\u003c\/p\u003e\n\u003chr\u003e\u003ciframe width=\"717\" height=\"433\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/dJtf3JmwnjI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNEW in v2.1.1: Improved resource management for better performance\u003c\/li\u003e\n\u003cli\u003eLow CPU usage, 3 different synth engines\u003c\/li\u003e\n\u003cli\u003e2 oscillators with standard waveforms or 2D wavetables, up to 16x unison, tunable sub-oscillators\u003c\/li\u003e\n\u003cli\u003eDrag \u0026amp; drop modulation assignment\u003c\/li\u003e\n\u003cli\u003e12 x 2 modulation matrix slots with modifiers for curvature, rectification, quantization, sample \u0026amp; hold, slew rate\u003c\/li\u003e\n\u003cli\u003e4 user-definable XY control pads\u003c\/li\u003e\n\u003cli\u003eUnique 8-step shape sequencer with 4 independent outputs\u003c\/li\u003e\n\u003cli\u003eArpeggiator, step sequencer with real-time recording\u003c\/li\u003e\n\u003cli\u003eScale quantizer with pre-defined list of scales\u003c\/li\u003e\n\u003cli\u003e2 function generators which can serve as extra envelopes, gate generators, LFOs, slew limiters\u003c\/li\u003e\n\u003cli\u003e7 rearrangeable effects: distortion, chorus, delay, phaser, EQ, reverb, compressor\u003c\/li\u003e\n\u003cli\u003ePanel presets for oscillators, filters, envelopes, LFOs, sequencer, FX and modulation matrix\u003c\/li\u003e\n\u003cli\u003eSolo buttons let you audition individual oscillators and filters during sound design\u003c\/li\u003e\n\u003cli\u003eScope to view the audio output or any modulation signal, with freeze option and zoom controls\u003c\/li\u003e\n\u003cli\u003e2400+ NKS-ready factory presets by some of our favourite sound designers, many more available online\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eAlternative Izmo skin\u003c\/li\u003e\n\u003cli\u003eMicrotuning support (.tun files)\u003c\/li\u003e\n\u003cli\u003eNEW in v2.1: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003eUnderneath its sleek exterior, Hive 2 lets you go as deep as you like.\u003c\/p\u003e\n\u003cp\u003eAdd movement and life using the shape sequencer, or instantly record, rotate and arpeggiate note sequences.\u003c\/p\u003e\n\u003cp\u003eThe 12-slot matrix even lets you modulate effect parameters, encouraging you to explore a whole new world of creative options.\u003c\/p\u003e\n\u003cp\u003eWith its swappable audio engine, flexible signal routing, wavetable support and quality effects, Hive 2 makes sure you can get the sound you want with a minimum of fuss.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHow It Works\u003c\/h3\u003e\n\u003cp\u003eHive 2 includes Wavetables! These appear as multiple waveforms, and are controlled in the central hexagon.\u003c\/p\u003e\n\u003cp\u003eYou can manually select wavetables, modulate the wave position via the matrix, or even scan through them automatically using the envelope and loop options (which let you animate wavetables without the need for an extra modulation source).\u003c\/p\u003e\n\u003cp\u003eThis panel also offers a Reverse option to flip the wavetable back to front, Cyclic mode for seamless wavetable cycling, and various real-time interpolation methods.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMulti-Table\u003c\/h3\u003e\n\u003cp\u003eWavetables can be split into multiple parts (up to 16), effectively creating a 2-dimensional oscillator.\u003c\/p\u003e\n\u003cp\u003eFor instance, a wavetable with 30 frames can be split into 3 x 10 frames by setting Tables to 3.\u003c\/p\u003e\n\u003cp\u003eThe lower Position knob will crossfade between those 3.\u003c\/p\u003e\n\u003cp\u003eThis feature opens up a second dimension of wavetable scanning, such as velocity crossfade or multisample support.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUHM Scripting\u003c\/h3\u003e\n\u003cp\u003eWant to go even deeper? Many of Hive's factory wavetables are not samples, but \".uhm\" files containing scripts written in a proprietary wavetable generation and manipulation language.\u003c\/p\u003e\n\u003cp\u003eIf you're interested in writing your own scripts, a guide is included in the Hive installer.\u003c\/p\u003e\n\u003chr\u003e\u003ciframe width=\"578\" height=\"355\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/qczGwLuMCnk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eInterpolation\u003c\/h3\u003e\n\u003cp\u003eHive provides 4 different algorithms for interpolating between wavetable frames: switch, crossfade, spectral, or zero phase.\u003c\/p\u003e\n\u003cp\u003eThe appearance (and CPU usage) of waveforms can differ significantly, depending on the chosen interpolation.\u003c\/p\u003e\n\u003cp\u003eThe spectral and zero phase modes shift the relative phases of partials differently, while the switch option only shows non-interpolated waveforms.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eShape Sequencer\u003c\/h3\u003e\n\u003cp\u003eThe Shape Sequencer is where you can create complex modulations and\/or rhythmic patterns, it offers a comfortable way to 'game-ify' rhythm creation.\u003c\/p\u003e\n\u003cp\u003eThe shape sequencer has four Shape Modulator lanes (A, B, C and D), each with an independent set of options determining how the active cells in that lane are sequenced:\u003c\/p\u003e\n\u003cp\u003eThis means that the shape modulators can be triggered differently and run at different speeds!\u003c\/p\u003e\n\u003cp\u003eWhile it may look like a baby version of what other synths have to offer, Hive's shape sequencer can do a lot more than first meets the eye.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFunction Generators\u003c\/h3\u003e\n\u003cp\u003eHive's Function Generators combine simple envelope functionality with LFO, slew limiter (a.k.a. envelope follower) and gate control.\u003c\/p\u003e\n\u003cp\u003eEach of the three outputs has its own 'crosshair' you can drag \u0026amp; drop onto any modulation target, onto the Scope or even onto the modulation matrix source fields.\u003c\/p\u003e\n\u003cp\u003eTriggered and\/or modulated by the LFOs, the Shape Sequencer and each other, Hive's Function Generators can create some truly mind-bending motion effects!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eArpeggiator and Sequencer\u003c\/h3\u003e\n\u003cp\u003eThe ARP\/SEQ panel in the central hexagon is where you make rhythmic and melodic loops.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can select up to 3 octaves range, 6 different direction options, and 4 for the order.\u003c\/p\u003e\n\u003cp\u003eAdditional features are Restart, which sets the number of notes the arpeggiator will play before jumping back to the beginning, and ClockDiv, which slows the arpeggiator down relative to the sequencer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSequencer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe sequencer has 2 different modes, one of which lets you send control signals (CC) without triggering any notes.\u003c\/p\u003e\n\u003cp\u003eLike the arpeggiator, the sequence will run whenever one or more notes are played, and will stop when all notes are released.\u003c\/p\u003e\n\u003cp\u003eIn record (REC) mode you can enter individual notes on your keyboard or even capture the output of the arpeggiator.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFlexible Effects\u003c\/h3\u003e\n\u003cp\u003eHive's hexagon includes 7 different effects: Distortion, Reverb, Equalizer, Chorus, Delay, Compressor, and Phaser.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnable and Rearrange\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe on\/off status and position of each effect in the chain is controlled using the central column: Click once to enable or disable an effect, and drag up and down to rearrange.\u003c\/p\u003e\n\u003cp\u003eThis ease of use invites experimental combinations e.g. short reverb into highly resonant phaser into heavy distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEdit and Modulate\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEffects in Hive are fully-featured with many editable controls, a selection of presets, and the well known u-he quality.\u003c\/p\u003e\n\u003cp\u003eWant more? Every control you see can be modulated in the modulation matrix - even a few you can't see.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eModulation Matrix\u003c\/h3\u003e\n\u003cp\u003eHive features a 12-unit modulation matrix (6 units per page) which lets you connect modulation sources (LFOs, envelopes, shape sequencer, MIDI controls etc.) to countless targets, optionally via a second modulation source.\u003c\/p\u003e\n\u003cp\u003e2 targets can be assigned per unit, each with its own modulatable depth control.\u003c\/p\u003e\n\u003cp\u003eThe row of 5 modifiers per target can alter the curvature, rectify, quantize, sample\/hold or slew-limit the modulation signal: This is seriously deep stuff, but it doesn't get in the way!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePerformance controls\u003c\/h3\u003e\n\u003cp\u003eOn this page you'll find a pad with 4 controls - simply connect them to your MIDI controllers for maximum fun on stage. Other views are also available.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutomatic Parameter Scanning\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHive is able to assign XY controls to parameters automatically.\u003c\/p\u003e\n\u003cp\u003eIt looks into the structure of presets that have unused XY controls, and assigns them to the most appropriate XY macros (pre-defined sets of parameters).\u003c\/p\u003e\n\u003cp\u003eOf course you can create your own XY control definitions, with up to 4 targets per dimension.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eScope\u003c\/h3\u003e\n\u003cp\u003eAnimated graphics in software synthesizers not only look cool, but can also help you program your sounds by showing you what's happening in real time.\u003c\/p\u003e\n\u003cp\u003eHive's Scope is especially useful for displaying how the parts of complex modulation interact (e.g. the Function Generators with an LFO).\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7664973414460,"sku":"UHE-HIVE","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Hive2.png?v=1560362325"},{"product_id":"u-he-zebralette","title":"u-he Zebralette","description":"\u003cmeta charset=\"utf-8\"\u003e\u003ciframe width=\"625\" height=\"352\" src=\"https:\/\/www.youtube.com\/embed\/G4HCHQteJlk\" frameborder=\"0\" allow=\"Format-AUtoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003chr\u003e\n\u003cp\u003eSo here it is... \u003cstrong\u003eZebralette has finally gone 'freeware'\u003c\/strong\u003e! The idea is to use Zebralette to demonstrate the virtues of \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e's oscillators to everybody out there, and perhaps even convince some of them that upgrading to \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e might be a good idea.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eZebralette is just one of \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e's oscillators packed into a simple, easy-to-learn framework – but you have everything you need to make some pretty amazing sounds. Sounds that can be directly loaded into \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e later. And should you eventually decide to upgrade to \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e, you will already know everything there is to know about the oscillators – which is quite an advantage!\u003c\/p\u003e\n\u003cp\u003eZebralette has two LFOs (one per voice, one global), a multi-stage envelope and three onboard effects (chorus, EQ, delay). Not forgetting \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e's famous dual spectral effects, which include several squelchy filter algorithms.\u003c\/p\u003e\n\u003cp\u003eMegasaw? Zebralette also goes to eleven.\u003c\/p\u003e\n\u003cp\u003eBecause the Zebra2 oscillators are so powerful, Zebralette is actually a great little synth in its own right, and it has the same pristine audio quality as the mighty \u003ca href=\"\/products\/uhe-zebra2\" title=\"Zebra2\"\u003eZebra2\u003c\/a\u003e... try out the new presets and see for yourself!\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7665032822844,"sku":"ZEBRALETTE","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/ZebraletteGui1.jpg?v=1746534223"},{"product_id":"u-he-protoverb","title":"u-he Protoverb","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProtoverb is an experimental reverb based on the idea of a \"room simulator\".\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMost algorithmic reverbs try to avoid resonances or model the reflections of sound from the walls of a room.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProtoverb does the opposite.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt builds up as many room resonances as possible, modelling the body of air in the room.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTherefore it does not need to modulate or colour the signal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe result is a very natural sounding reverberation with some interesting features: Long-standing frequencies resonate louder as if the air takes some time to get excited.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMultiple instruments don't mash into a diffuse mud, they stay distinct.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIf you play a short melody, the room seems to repeat a ghost echo of that melody.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThose properties are indeed found in churches and large halls, but they're rarely found in conventional algorithmic reverbs.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHowever...\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eTo achieve this kind of stuff, Protoverb works with loads and loads of parallel, serial and networked delays.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy all means, there is no mathematical formula that makes such a structure sound \"just right\".\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs with all delay based reverbs, it's down to trial and error, and maybe a lot of luck with random values.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTherefore we designed Protoverb to present you with delay lines of random lengths and a random assembly of networking and feedback strategies.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhich, if you're lucky and you come across a great setting, you can submit to our website, along with a few details\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePush buttons to randomize!\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eTo be precise, the small text box at the bottom contains two random entries.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe first part depicts the network structure, strategies for a spatial layout and distribution of delay taps, strategies for finding useful delay lengths and so on.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe second part is a seed for a pseudo-random number generator which is used to find various parameters, such as average delay length, which prime number to chose (if any) and so on.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis text can either be edited by double click, or both parts can be independently randomized by the two random buttons below.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eGet Protoverb - it's free!\u003c\/h3\u003e\n\u003cp\u003eIn other words: Protoverb is a data mining concept. Instead of spending a few months ourselves, we hope that our community will come up with great settings.\u003c\/p\u003e\n\u003cp\u003eAs a reward, this plug-in is free, people are encouraged to share their settings and thoughts on the internet.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7665128505404,"sku":"PROTOVERB","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Protoverb.png?v=1527300315"},{"product_id":"uhe-podolski","title":"u-he Podolski","description":"\u003cp\u003eCreated in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analog synthesizer. One oscillator, one filter, one envelope, and an arpeggiator\/sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOscillator with variable symmetry (sawtooth to triangle, PWM) and glide\u003c\/li\u003e\n\u003cli\u003ePolyphonic (up to 16 voices), mono, legato and arpeggiator modes\u003c\/li\u003e\n\u003cli\u003e4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall\/Rise control\u003c\/li\u003e\n\u003cli\u003e2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms\u003c\/li\u003e\n\u003cli\u003eMultimode filter: lowpass, bandpass or highpass with drive and FM\u003c\/li\u003e\n\u003cli\u003eCombination arpeggiator \/ 16-step sequencer with extra modulation source\u003c\/li\u003e\n\u003cli\u003e2 built-in effects: stereo delay, chorus \/ flanger\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eSkinnable UI\u003c\/li\u003e\n\u003cli\u003eGlobal preferences page\u003c\/li\u003e\n\u003cli\u003eMIDI learn page and editable list\u003c\/li\u003e\n\u003cli\u003eOver 520 factory presets\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7665163665468,"sku":"PODOLSKI","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Podolski_Synth.png?v=1527300314"},{"product_id":"uhe-triple-cheese","title":"u-he Triple Cheese","description":"\u003ch3\u003eLuscious and Cheesy\u003c\/h3\u003e\n\u003cp\u003eTriple Cheese is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analog modeled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3 comb filters for sound generation\u003c\/li\u003e\n\u003cli\u003e8 different modes per comb filter module (11 modes total)\u003c\/li\u003e\n\u003cli\u003ePolyphonic (up to 16 voices), duophonic, monophonic (retriggered) or legato mode\u003c\/li\u003e\n\u003cli\u003eAdjustable portamento (glide) time\u003c\/li\u003e\n\u003cli\u003e2 ADSR envelopes with falling, flat or rising sustain stage\u003c\/li\u003e\n\u003cli\u003e2 host-syncable LFOs: 1 regular and 1 \"Vibrator\" with delay and amplitude modulation\u003c\/li\u003e\n\u003cli\u003eVCA with amplitude modulation, pan\u003c\/li\u003e\n\u003cli\u003e5 built-in effects (2x chorus, flanger, phaser, 3x delay, reverb)\u003c\/li\u003e\n\u003cli\u003eModulation sources include wheels, velocity, pressure, breath, key follow, random\u003c\/li\u003e\n\u003cli\u003eMIDI learn \/ unlearn for hardware control\u003c\/li\u003e\n\u003cli\u003eScalable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eSkinnable UI\u003c\/li\u003e\n\u003cli\u003e254 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.3: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eSound Generation\u003c\/h3\u003e\n\u003cp\u003eTriple Cheese avoids classic synthesis techniques - no subtractive, frequency modulation (FM) or additive synthesis. Rather, it employs various types of comb filter, often in series, to generate and modify sound. Think of the comb filters as very short chromatically tuned delays. Three modules are arranged in series and either generate their own sound, or process the output of the previous module.\u003c\/p\u003e\n\u003cp\u003eThe features for each module can result in sounds that might seem a little \"cheesy\" or retro (think early 1980s digital synths). But when pushed, you will find Triple Cheese creates some surprisingly lush sounds.\u003c\/p\u003e\n\u003cp\u003eFor extra flavor, Triple Cheese comes with a choice of delay-based effects. Although basic, the essentials are covered: chorus, flanger, phaser, delay, or reverb. A special LFO with speed and depth controls can be used to give your sound extra movement and warmth.\u003c\/p\u003e\n\u003cp\u003eAnother way to add flavor: parameter modulation. Many of the key parameters in Triple Cheese can be modulated from a variety of sources: Select one of the classic performance controls (mod wheel, velocity, pressure, key follow etc.) or an automatic modulation source (envelope, LFO or Vibrator).\u003cbr\u003e\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7665242538044,"sku":"TRIPLE-CHEESE","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/TripleCheeseGui1.png?v=1634639323"},{"product_id":"u-he-tyrelln6","title":"u-he TyrellN6","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eTyrell\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the name of a project by the German online magazine\u003cspan\u003e \u003c\/span\u003eAmazona.de. A reader survey and follow-on forum posts provided a pool of ideas for a low-cost hardware analog synth, which\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMic 'Moogulator' Irmer\u003c\/strong\u003e collected and used to develop quite a powerful concept. Based on a design similar to Roland's classic Juno 60, a few modules and novel features could be added without making the product too expensive...\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eHowever, it soon became obvious that developing the hardware would have taken years, so Urs offered to turn the core design into a freeware softsynth. That was late 2010. Only a few weeks later, TyrellN6 was out for beta testing! After some serious bug-fixing and fine-tuning, the final release version became available in April 2011.\u003cspan\u003e \u003c\/span\u003eIn April 2013 we released TyrellN6 version 3, which now supports Format-VST3. The new user interface was designed by Ryo Ishido.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmooth overdrive in the oscillator mixer\u003c\/li\u003e\n\u003cli\u003eFilter output can be fed back into the mixer\u003c\/li\u003e\n\u003cli\u003eUnison mode, with voice index modulation source\u003c\/li\u003e\n\u003cli\u003eEnvelopes can be looped or triggered via LFO\u003c\/li\u003e\n\u003cli\u003eEnvelopes retrigger just like classic hardware\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":7669897429052,"sku":"TYRELLN6","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/TyrellN6.png?v=1527300317"},{"product_id":"uhe-colour-copy","title":"u-he Colour Copy","description":"\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/4RBb4BfaHXw\" height=\"433\" width=\"717\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eColour Copy: A Bucketful of Delay\u003c\/h3\u003e\n\u003cp\u003eA virtual analog effect inspired by classic bucket-brigade delays (BBD), but extended with modern features. We called our new baby \"Colour Copy\" because it can deliver the kind of coloration people still love in classic BBD units, but with a wider variety of colors. Colour Copy started life as the little delay unit called \"Lyrebird\" we built into Repro-1, but the sound was too good not to be developed further and become an FX plug-in.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBBD-style analog delay, for the smoothest possible pitch effects\u003c\/li\u003e\n\u003cli\u003eunique colour morphing, with saturation for non-linear effects such as distortion \/ resonance\u003c\/li\u003e\n\u003cli\u003e1ms to 1s or host-synched time base, scaled via rate control from 25% to 400%\u003c\/li\u003e\n\u003cli\u003edynamic ducking via envelope follower\u003c\/li\u003e\n\u003cli\u003eLFO (with dynamic frequency and depth) can modulate rate, tap position or amplitude.\u003c\/li\u003e\n\u003cli\u003eMIDI note tracking and Freeze button (infinite loop) for wildest experimental effects\u003c\/li\u003e\n\u003cli\u003epowerful preset browser with tag and\/or text search functions\u003c\/li\u003e\n\u003cli\u003eindependent input and feedback routing options allow all possible stereo or mono combinations\u003c\/li\u003e\n\u003cli\u003e100 factory presets, NKS-compatible\u003c\/li\u003e\n\u003cli\u003eUI instantly resizable from 70% to 200%\u003c\/li\u003e\n\u003cli\u003ecustom remote control via MIDI CC, 14-bit resolution option\u003c\/li\u003e\n\u003cli\u003eNEW in v1.0.1: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003eIn most digital delays the delay time alters the size of the buffer. If you quickly modulate or sweep the delay time on a typical digital unit, unmusical glitches propagate through the feedback as the buffer is shortened or lengthened. Like a real BBD, Colour Copy changes the internal samplerate instead (i.e. how fast the \"buckets\" pass on their content), and this is why Colour Copy is smooth with a capital SMOO!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eColours\u003c\/h3\u003e\n\u003cp\u003eDuring development we soon realized that we could capture the essence of the entire range of classic bucket brigade delays – from the low-range rumbling, slowly evolving delays to the highly resonant, screaming characters. A single knob lets you continuously blend between the five finely-tuned \"colour\" macros. The differences may be subtle, but each one is rich in detail. In addition to obvious differences in frequency bandwidth, each comes with its own noise and dynamic characteristics, frequency loss over time, and several other qualities. The Saturation knob controls how prominent or subtle those characteristics should be, in case you want to dial back the colouration to better fit in the mix. Finally, a Brightness knob lets you adjust the bandwidth.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFlexibility\u003c\/h3\u003e\n\u003cp\u003eColour Copy is capable of a huge variety of different delay-based effects. With delay times ranging from under a millisecond to several seconds, you can create anything from comb-filter and flange\/chorus effects to regular ping-pong delays and longer \"looper\" effects. The routing options let you mix or swap the input and feedback signals independently or even invert the feedback phase for various phase cancellation effects when delay times are set very short. Additionally, unlike hardware BBD units, Colour Copy's left and right output \"taps\" can be placed anywhere along the delay lines. This feature lets you move echos independently \"forward in time\" for e.g. ping-pong or \"rushing\" delays as well as various stereo chorus or flanger effects. You never knew you'd want three different ways to create a ping-pong effect!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eAnimation\u003c\/h3\u003e\n\u003cp\u003eColour Copy comes with a stereo LFO that can be used to modulate either the delay rate, the tap positions or the delay amplitude. With a range of 0.05Hz to 20Hz (as times: 20s to 50ms) the LFO can create chorus, vibrato and tremolo effects. Crank up the modulation depth for deep pitch-shifting. An envelope follow signal derived from the input signal can be used to modulate the LFO frequency and depth, adding realtime dynamics to the effects.\u003c\/p\u003e\n\u003cp\u003eColour Copy comes with the obligatory ducking compressor, but with a unique twist: You can select whether to duck the entire delay output or just the feedback signal. This latter option leaves the very first delay unaffected, preserving the overall stereo \"space\" while preventing the sonic mayhem that high regeneration often causes.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003ePerformance Control\u003c\/h3\u003e\n\u003cp\u003eSome people like to perform on their BBD hardware, pitching the regeneration up and down by twisting the rate knob. We took Colour Copy a step further in this direction by adding a pair of creative features: Firstly, a freeze button that loops the contents of the delay buffer for as long as you like. Secondly, MIDI key control so that you can play Colour Copy like a mono synth - each octave up doubles the delay rate.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSystem Requirements\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMacOS 10.9 and above\u003c\/li\u003e\n\u003cli\u003eWindows 7 and above\u003c\/li\u003e\n\u003cli\u003eIntel i5 \/ AMD FX \/ Apple M1 CPU or better\u003c\/li\u003e\n\u003cli\u003eCompatible host DAW software\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePlugin Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac: AAX Native, AU, VST2, VST3 (all 64-bit only)\u003c\/li\u003e\n\u003cli\u003eWindows: AAX Native, VST2, VST3 (32 or 64-bit)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAAX version not currently compatible with Apple Silicon.\u003c\/p\u003e\n\u003cp\u003eAAX requires Pro Tools 10.3.7 or later.\u003c\/p\u003e\n\u003cp\u003eColour Copy is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":9205306196028,"sku":"UHE-CC","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Colour_Copy.png?v=1536253376"},{"product_id":"uhe-diva","title":"u-he Diva","description":"\u003ciframe width=\"845\" height=\"475\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/-PO84tYA6mA\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3 class=\"product-intro left-just\"\u003eDiva: Dinosaur Impersonating Virtual Analog synthesizer.\u003c\/h3\u003e\n\u003cp class=\"product-intro left-just\"\u003eDiva captures the spirit of five decades of analog synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modeled for unmatched analog sound. More than a single synthesizer: Recreate an old favorite or mix-and-match modules to design your unique hybrid.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"product-intro left-just\"\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic, award-winning analog sound\u003c\/li\u003e\n\u003cli\u003eMix-and-match panels for custom layouts\u003c\/li\u003e\n\u003cli\u003ePer-voice oscillator detune and user-definable modulation source\u003c\/li\u003e\n\u003cli\u003eZero delay feedback (ZDF) filter design for authentic resonance behavior\u003c\/li\u003e\n\u003cli\u003e3 ADS(S)R envelope models based on classic synth hardware with keyboard follow and velocity scaling\u003c\/li\u003e\n\u003cli\u003e5 oscillators models based on classic synth hardware\u003c\/li\u003e\n\u003cli\u003e5 filter models based on classic synth hardware\u003c\/li\u003e\n\u003cli\u003e2 host-syncable LFOs with multiple waveforms, restart options, and phase controls\u003c\/li\u003e\n\u003cli\u003e2 stereo effects slots, each with chorus (3 modes), phaser (2 modes), plate reverb, delay, rotary speaker\u003c\/li\u003e\n\u003cli\u003eHost-syncable arpeggiator with continuous rate offset, swing, various progression options\u003c\/li\u003e\n\u003cli\u003eMIDI learn page and editable list\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eOver 1200 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.4.5: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"list-3cx\"\u003e\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":9205357248572,"sku":"UHE-DIVA","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Diva.png?v=1747903414"},{"product_id":"uhe-ace","title":"u-he Ace","description":"\u003ciframe width=\"717\" height=\"433\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/5YgUhNaWtN0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eACE: Any Cable Everywhere\u003c\/h3\u003e\n\u003cp class=\"product-intro left-just\"\u003eCompact, clear, a careful selection of modules and semi-modular architecture makes ACE easy to learn.\u003c\/p\u003e\n\u003cp class=\"product-intro left-just\"\u003eSimple but not simplistic, compact but not limited, clear but definitely not underpowered.\u003c\/p\u003e\n\u003cp class=\"product-intro left-just\"\u003eWith the ability to connect any output into any input, ACE is a powerful synth with tools and features ready for beginners or seasoned users.\u003c\/p\u003e\n\u003cp class=\"product-intro left-just\"\u003eThe \"boxes and cables\" philosophy of modular synthesizers gives you the freedom to create your own custom instruments.\u003c\/p\u003e\n\u003cp class=\"product-intro left-just\"\u003eOnce you start connecting the sixteen modules in ACE, exploring new combinations, cross-pollinating ideas, the vast potential of modular soon becomes clear.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSemi-modular architecture (with default routing)\u003c\/li\u003e\n\u003cli\u003eOscillators include pulse width modulation (PWM), sync, internal ring and cross modulation (FM)\u003c\/li\u003e\n\u003cli\u003ePolyphonic (up to 16 voices), duophonic or monophonic (retriggered or legato)\u003c\/li\u003e\n\u003cli\u003ePowerful glide options: constant rate or constant time, percentage range control, per-oscillator offset\u003c\/li\u003e\n\u003cli\u003eUp to 8 voice unison (stack) with +\/−2 octave individual detuning\u003c\/li\u003e\n\u003cli\u003e2 multimode analogue-style filters\u003c\/li\u003e\n\u003cli\u003e2 ADSR envelopes with fall\/rise, snap, singing option for authentic analogue-style voice triggering\u003c\/li\u003e\n\u003cli\u003e2 LFOs with 0Hz to 20kHz frequency range (can be used as VCOs)\u003c\/li\u003e\n\u003cli\u003e2 multiplex modules for signal mixing \/ crossfading, ring modulation, amplitude modulation etc.\u003c\/li\u003e\n\u003cli\u003e1 syncable and loopable ramp generator\u003c\/li\u003e\n\u003cli\u003eMixer with modulation inputs\u003c\/li\u003e\n\u003cli\u003eMIDI modulation and performance: wheels, velocity, pressure, key follow, gate, 2 user-definable MIDI CC\u003c\/li\u003e\n\u003cli\u003eCircuit bending options: slop, crosstalk, oscillator cap failure\u003c\/li\u003e\n\u003cli\u003e3 effects: chorus\/phaser (4 types), delay (7 fixed options), bass and treble controls\u003c\/li\u003e\n\u003cli\u003eMultichannel MIDI support\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eOver 920 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.4.2: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eSounds\u003c\/h3\u003e\n\u003cp\u003eThe two VCOs act as the main sound generators, but as ACE does not differentiate between audio and control (modulation) signals, the full-range LFOs can also be used to generate audio frequencies.\u003c\/p\u003e\n\u003cp\u003eACE's oscillators are modeled on analogue circuits, including instabilities and various non-linear characteristics. You can push these characteristics further using the Circuit Bending options.\u003c\/p\u003e\n\u003cp\u003eIf the bottom end needs beefing up, try adding the sub-oscillator. For more intense, complex sounds, try VCO2's ring modulation, sync and cross modulation.\u003c\/p\u003e\n\u003cp\u003eThe LFOs can be co-opted for sound generation. They are similar to the VCOs but have a different feature set, including the possibility of phase modulation (commonly referred to as FM synthesis) and custom waveforms (LFO2 only).\u003c\/p\u003e\n\u003cp\u003eWild experimentation is welcome here - draw any waveform or use the Spectralize function to create additive waves.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMapping Generator\u003c\/h3\u003e\n\u003cp\u003eNot typically found in analog synthesizers, ACE's Mapping Generator is a useful addition with a variety of uses.\u003c\/p\u003e\n\u003cp\u003eThe Mapping Generator is a list of up to 128 values.\u003c\/p\u003e\n\u003cp\u003eYou can use the drawing tools to edit the values and create your own patterns, or choose pre-built shapes.\u003c\/p\u003e\n\u003cp\u003eThis map can be stepped through for each played note, it can create per-note offsets, it can transform any modulation source or be used as the LFO2 waveform.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFilter\u003c\/h3\u003e\n\u003cp\u003eLike the oscillators, the two filters are modeled on analog hardware and deliver satisfyingly analogue results.\u003c\/p\u003e\n\u003cp\u003eYou can overdrive the filters without introducing any harsh distortion, and the resonance remains intact.\u003c\/p\u003e\n\u003cp\u003eOr you can take advantage of the self-oscillation feature for chaotic timbres and more experimental sound design.\u003c\/p\u003e\n\u003cp\u003eFor an extra aggressive sound, route your signal through both filters and crank the resonance on the second filter.\u003c\/p\u003e\n\u003cp\u003eBoth filters are cascade type multimode circuits with two parallel outputs each.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCables Anywhere and Everywhere\u003c\/h3\u003e\n\u003cp\u003eACE takes after hardware modular synthesizers, although it is not a truly modular design, more correctly it is semi-modular.\u003c\/p\u003e\n\u003cp\u003eACE has a default fixed architecture (like for instance the ARP 2600), which means you can start making noise immediately out-of-the-box.\u003c\/p\u003e\n\u003cp\u003eAny default routing can be overridden by patching cables, which means that the options are practically limitless.\u003c\/p\u003e\n\u003cp\u003eACE does not differentiate between audio signals and control signals. Any of the outputs can be plugged into any of the signal inputs.\u003c\/p\u003e\n\u003cp\u003eHook things up, explore new ideas and crazy combinations.\u003c\/p\u003e\n\u003cp\u003eTry LFOs as audio oscillators or a VCO as LFO.\u003c\/p\u003e\n\u003cp\u003ePlug an LFO into a filter, then use the filter as an FM source for an oscillator.\u003c\/p\u003e\n\u003cp\u003eSound experimentation awaits, limited only by your imagination… and dinner time.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSignal Sources\u003c\/h3\u003e\n\u003cp\u003eAn array of output sockets provide signals from a variety of different sources: noise, MIDI controls (mod wheel, velocity etc.), mapping generator and more…\u003c\/p\u003e\n\u003cp\u003eUse these to add organic life-like dynamics, modulation and refinements your sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdd final touches using the global effects.\u003c\/p\u003e\n\u003cp\u003ePick from a classic stereo chorus with four modes (including phaser) to add richness, a stereo delay with seven immediately selectable modes to add movement, and finally a pair of controls to boost treble and bass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRamp Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf the two ADSRs and two LFOs are not enough, try the host-syncable Ramp Generator (essentially a trapezoid, which combines elements of both).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiples\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCommon to most modular setups, multiples are mix\/split devices. Signals are merged and sent onward, or split and sent to different inputs.\u003c\/p\u003e\n\u003cp\u003eIn ACE the multiples do act as a simple mixer, or can be enlisted for much more interesting possibilities, that is why we renamed them Multiplex.\u003c\/p\u003e\n\u003cp\u003eUsing the modulation input and some clever cable arrangements, the Multiplex modules can do ring modulation (RM), amplitude modulation (AM) or both at the same time. Or crossfading or inversion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWithout envelopes, your patches would just turn on and off with each note, organ style. Envelopes add dynamics over the length of the note.\u003c\/p\u003e\n\u003cp\u003eACE has classic ADSR envelopes, but with a few extras directly available for more interesting results: Snap, fall\/rise, level modulation, rate modulation, velocity.\u003c\/p\u003e\n\u003cp\u003eThe envelopes can be further with modified in the Envelope Tweaks section. Switch on the singing envelopes for classic analog retriggering behavior, or adjust the fall\/rise limits.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":9205390999612,"sku":"UHE-ACE","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Ace.png?v=1536255065"},{"product_id":"u-he-bazille","title":"u-he Bazille","description":"\u0026lt;\u003ciframe width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/raxOQm03giA\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eMonster from The Deep\u003c\/h3\u003e\n\u003cp\u003eBazille is a large polyphonic modular system combining digital oscillators with analog-style filters and modeled effects, with a flexibility that only modular patching can provide.\u003c\/p\u003e\n\u003cp\u003eWith so much connectivity to explore, patching in Bazille should keep you fascinated for many years - it's definitely a \"geek machine\"!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eModular, stereo, up to 16-voice polyphonic\u003c\/li\u003e\n\u003cli\u003e4 digital oscillators based on phase distortion (PD) with FM and fractal resonance (FR)\u003c\/li\u003e\n\u003cli\u003e4 self-oscillating multimode filters with up to 6 parallel outputs each\u003c\/li\u003e\n\u003cli\u003e4 ADSR envelopes with Fall\/Rise for the sustain stage, overall rate can be modulated\u003c\/li\u003e\n\u003cli\u003e2 LFOs with 3 parallel outputs each, unipolar option\u003c\/li\u003e\n\u003cli\u003e16-step morphing sequence per voice, with 8 snapshots and 4 output taps\u003c\/li\u003e\n\u003cli\u003e2 mapping generators with up to 128 steps, comprehensive drawing tools, presets…\u003c\/li\u003e\n\u003cli\u003emaps can be used as oscillator waveforms\u003c\/li\u003e\n\u003cli\u003e4 Multiplex modules for mixing signals, cross-fading, ring modulation, amplitude modulation etc.\u003c\/li\u003e\n\u003cli\u003e4 effects: stereo delay, distortion (6 types), phaser (2 types), spring reverb\u003c\/li\u003e\n\u003cli\u003e2x inverter, 2x rectifier, sample \u0026amp; hold, 2x twin lag generators, quantizer\u003c\/li\u003e\n\u003cli\u003eover 1700 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.1.2: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eUltraflexible Modules\u003c\/h3\u003e\n\u003cp\u003eBazille is highly unusual for a modular synth.\u003c\/p\u003e\n\u003cp\u003eAlthough the filters are traditional analog models, the oscillators are unashamedly digital: They combine the two technologies that made digital synthesis affordable (and analogue synths suddenly unfashionable) in the 1980s - FM (frequency modulation, more correctly \"phase modulation\") and PD (phase distortion).\u003c\/p\u003e\n\u003cp\u003eIn Bazille, each oscillator panel has five distinct sections: Pitch, Phase \/ FM, Phase Distortion, Fractal Resonance, and the Outputs, each with a modulation input.\u003c\/p\u003e\n\u003cp\u003eSince the 4 main oscillators have a frequency range which starts at zero Hertz, they can be used as synchronized or unsynchronized LFOs or also adopt custom shapes thanks to Bazille's mapping generators.\u003c\/p\u003e\n\u003cp\u003eThe oscillators are also capable of all kinds of FM sounds by plugging an audio-frequency source into the phase modulation input.\u003c\/p\u003e\n\u003cp\u003eOne of the most interesting features included in Bazille's powerful oscillators is an unusual process we call Fractalize (fractal resonance).\u003c\/p\u003e\n\u003cp\u003eThis can be used to create very bold sounds from tame waveforms, with a similar result to the classic cutting sound of the sync effect.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMapping Generators\u003c\/h3\u003e\n\u003cp\u003eThe pair of Mapping Generators can be used for a variety of purposes: To reshape modulation sources, to define per-MIDI-note offsets or to step through values e.g. for round-robin effects… There are 4 modes available, and both generators can have maps with up to 128 steps.\u003c\/p\u003e\n\u003cp\u003eThey are very flexible, allowing custom shapes thanks to the drawing tools and presets accessible with a right-click of the mouse.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMultiplex\u003c\/h3\u003e\n\u003cp\u003eThe little multiplex modules you can find in most analogue modular systems are simple mix\/split devices.\u003c\/p\u003e\n\u003cp\u003eAs Bazille's output sockets can accommodate several cables, the humble multiple underwent a serious redesign, emerging as something so flexible that we had to rename it Multiplex.\u003c\/p\u003e\n\u003cp\u003eThe 4 units are very \"general-purpose\": They can be used as signal mixers, cross faders, ring modulators, amplitude modulators, and more.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eModulation Sequencer\u003c\/h3\u003e\n\u003cp\u003eThe onboard modulation sequencer lets you set up much more complex movements than are available with a regular LFO.\u003c\/p\u003e\n\u003cp\u003eIt can be divided into 2, 3 or 4 sections, two of which can also be used as a per-voice note sequencers (steps can trigger envelopes).\u003c\/p\u003e\n\u003cp\u003eAlso present is a modulatable Rotate control, which lets you morph between up to 8 different sequences.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"list-3cx\"\u003e\u003c\/ul\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":9206300180540,"sku":"UHE-BAZ","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Bazille.png?v=1536282008"},{"product_id":"uhe-twangstrom","title":"u-he Twangstrom","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eTwangström: Shake, Rattle, and Roll\u003c\/h3\u003e\n\u003cp\u003eA flexible spring reverb box-of-tricks.\u003c\/p\u003e\n\u003cp\u003eIf you're familiar with Bazille, you might already have come across its built-in spring unit.\u003c\/p\u003e\n\u003cp\u003eWe took that one, then modeled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix.\u003c\/p\u003e\n\u003cp\u003eIt emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eShakeable springs\u003c\/li\u003e\n\u003cli\u003e3 different reverberation tanks, inspired by the most popular ones built in the guitar \u0026amp; instrument amps that made rock 'n roll\u003c\/li\u003e\n\u003cli\u003etasty drive \u0026amp; tone stage for heating-up and colouring the sound\u003c\/li\u003e\n\u003cli\u003emulti-mode filter, with variable type blend\u003c\/li\u003e\n\u003cli\u003efour-flavors envelope stage, picking up the signal from either input, output or external sidechain\u003c\/li\u003e\n\u003cli\u003eLFO module, 8 different types \u0026amp; waveforms, variable time base \u0026amp; syncable\u003c\/li\u003e\n\u003cli\u003ecomprehensive modulation matrix, for realtime control of all the parameters\u003c\/li\u003e\n\u003cli\u003eindependent input and feedback routing options allow all possible stereo or mono combinations\u003c\/li\u003e\n\u003cli\u003e76 factory presets, NKS-compatible\u003c\/li\u003e\n\u003cli\u003eUI instantly resizable from 70% to 200%\u003c\/li\u003e\n\u003cli\u003ecustom remote control via MIDI CC, 14-bit resolution option\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003eAs a faithful emulation of a mechanical device, Twangström needs to be handled well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMany of the technical parameters are user-adjustable in real time, and these can be controlled via MIDI or using the internal LFO and envelope generator.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith its multimode resonant filter, Twangström is a unique and powerful tool which can deliver highly unusual, evolving textures... especially when the signal is tossed around using the modulation matrix!\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003eHitting your computer won't make Twangström shatter, so we added a \u003ci\u003etwang\u003c\/i\u003e control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is used to shake the springs, either manually or through modulation and automation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYou might think this is a gimmick for which you have no further use (apart from waking up the neighbors), but if you modulate it slightly, everything comes to life!\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eTank Controls\u003c\/h3\u003e\n\u003cp\u003eTwangström's reverb is based on\u003cspan\u003e \u003c\/span\u003ephysical modeling. As opposed to plug-ins based on impulse responses (\u003cabbr\u003eIR\u003c\/abbr\u003e), our approach mimics the physics of mechanical reverberation.\u003c\/p\u003e\n\u003cp\u003eBy simulating the wavefront traveling through a medium, we can include all the aspects of excitation, reflection, dispersion, interference, and other audio properties.\u003c\/p\u003e\n\u003cp\u003eTwangström does not mimic the sonic result but simulates the physical device.\u003c\/p\u003e\n\u003cp\u003eThis means that all dimensions of the device are controllable in real-time, on a per-sample-basis, which all boils down to quite some power at your fingertips!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eEnvelope\u003c\/h3\u003e\n\u003cp\u003eThe envelope in Twangström features 4 different modes and can pick up the signal from either input, output or external sidechain.\u003c\/p\u003e\n\u003cp\u003eYou can select between\u003cspan\u003e \u003c\/span\u003eEnvelope Follower, Attack and Decay, Attack and Release, or\u003cspan\u003e \u003c\/span\u003eCyclic modes.\u003c\/p\u003e\n\u003cp\u003eThe last one is similar to a\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"lnum\"\u003e2\u003c\/span\u003e-stage\u003cspan\u003e \u003c\/span\u003e\u003cabbr\u003eLFO\u003c\/abbr\u003e.\u003c\/p\u003e\n\u003cp\u003eShown controls will adapt to the selected mode, with Threshold not appearing while in Envelope Follower mode.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"sectionhead\"\u003eModulation Matrix\u003c\/h3\u003e\n\u003cp\u003eThe modulation matrix has three general purpose modulation slots, and yes, you can select\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eshake\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas one of many targets to modulate the Twang control!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3 class=\"sectionhead\"\u003eLow-Frequency Oscillator\u003c\/h3\u003e\n\u003cp\u003eThe LFO features different time bases, including a non-synchronized one measured in seconds. Synchronized options include both dotted times and triplets.\u003c\/p\u003e\n\u003cp\u003eThere are 8 different waveforms to choose from, with 2 of them being stepped or glide random shapes.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":21460019150908,"sku":"UHE-TWNG","price":69.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/Twangstrom.jpg?v=1547242955"},{"product_id":"u-he-mfm2","title":"u-he MFM2","description":"\u003ciframe width=\"717\" height=\"433\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/9PmaJXczeEc\" title=\"MFM2.5 – The Creative Power Delay\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003chr\u003e\n\u003ch3\u003eMore Feedback Machine\u003c\/h3\u003e\n\u003cp\u003eMFM2 is our over-the-top digital delay plug-in.\u003c\/p\u003e\n\u003cp\u003eYou can create anything from subtle textured echos to huge spacey reverbs, from wild tonal steps on a pad to rhythmic deconstruction of a drum track.\u003c\/p\u003e\n\u003cp\u003eAs a regular delay MFM2 already offers as much control and inspiration as possible, while the advanced features in version 2.5 open up wider horizons.\u003c\/p\u003e\n\u003cp\u003eMore feedback, more control, more inspiration!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMFM can do:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePing-pong and panning delays\u003c\/li\u003e\n\u003cli\u003eFiltered and frequency-shifted delays\u003c\/li\u003e\n\u003cli\u003eChorus, flanger, resonator\u003c\/li\u003e\n\u003cli\u003eReverb, diffusion and ambience\u003c\/li\u003e\n\u003cli\u003eGranular effects\u003c\/li\u003e\n\u003cli\u003eDegrading \u0026amp; distorting delays\u003c\/li\u003e\n\u003cli\u003eDucked and compressed delays\u003c\/li\u003e\n\u003cli\u003eEndless loops\u003c\/li\u003e\n\u003cli\u003eKeyboard-controlled (tuned) comb filter\u003c\/li\u003e\n\u003cli\u003eMassive glitch effects\u003c\/li\u003e\n\u003cli\u003eAny combination of the above\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNew in version 2.5: input section with gain, filter and transient balance\u003c\/li\u003e\n\u003cli\u003e4 delay lines with independent absolute time or tempo-synced modes\u003c\/li\u003e\n\u003cli\u003eEach delay line has its own multimode filter: 2x lowpass, bandpass, 2x highpass, bandreject or allpass\u003c\/li\u003e\n\u003cli\u003e6 default delay configurations or user matrix (freely route signals between all 4 delay lines)\u003c\/li\u003e\n\u003cli\u003e4 syncable LFOs with 8 waveform options or user definable shapes\u003c\/li\u003e\n\u003cli\u003e2 syncable and loopable multi-stage envelope generator (MSEG) modulation sources\u003c\/li\u003e\n\u003cli\u003e4-slot modulation matrix with depth modulation from a second source\u003c\/li\u003e\n\u003cli\u003e2 channel-pair effects: soft clipper, bit crusher, phaser, frequency shifter, filter...\u003c\/li\u003e\n\u003cli\u003eNew in version 2.5: granular (pitch shift, reverse delays) and diffusor (reverb)\u003c\/li\u003e\n\u003cli\u003e2 channel-pair compressor\/limiters, with peak or maximize modes\u003c\/li\u003e\n\u003cli\u003eNew in version 2.5: output shield (soft clipper) with strength and threshold options\u003c\/li\u003e\n\u003cli\u003eScalable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003e400+ factory presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e2 Input Processors\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eInput signals can be processed in pairs before being sent to the delay lines.\u003c\/p\u003e\n\u003cp\u003eThe \"Transient\" controls suppress or boost spikes.\u003c\/p\u003e\n\u003cp\u003eThe two non-resonant input filters can reduce the frequency range or even split the frequencies into two stereo bands with independent delay settings (set In 1+2 to Lowpass and In 3+4 to Highpass with the same Cutoff value).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e4 Delay Lines\u003c\/h3\u003e\n\u003cp\u003eIndependent delay modes: synchronized, free, or even controlled by MIDI notes.\u003c\/p\u003e\n\u003cp\u003eThe dark field below each knob is a modulation source selector, and the amount of modulation is controlled by the \"pip\" which appears at the top right of the knob.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e4 Main Filters\u003c\/h3\u003e\n\u003cp\u003eResonant filters can be placed in various positions within the signal path.\u003c\/p\u003e\n\u003cp\u003eOn offer here: 2x low pass, 2x high pass, band pass, band reject, allpass (phaser).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eThe Feedback Matrix\u003c\/h3\u003e\n\u003cp\u003eThis is where you can specify how the delay lines feed into each other: The \"User Matrix\" option lets you freely route signals between all 4 delay lines.\u003c\/p\u003e\n\u003cp\u003eThe large control at the top adjusts the overall amount of feedback.\u003c\/p\u003e\n\u003cp\u003eAt the bottom of the panel are the output level controls, allowing for normal and inverted polarity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e2 Effects\u003c\/h3\u003e\n\u003cp\u003ePre-feedback processing. On offer here: limiter, bit crusher, phaser, frequency shifter, lowpass\/highpass filter, granular pitch shifter, diffusor (reverb-ish).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e2 Compressors\u003c\/h3\u003e\n\u003cp\u003eThe final polish! Peak or RMS mode compression. In PeakComp mode you can compress one pair of channels using a sidechain from the other.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":43610143228127,"sku":"UHE-MFM2","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/products\/MFM2Gui1.png?v=1663836927"},{"product_id":"u-he-filterscape","title":"u-he Filterscape 1.5","description":"\u003cp\u003e\u003ciframe title=\"Filterscape 1.5 – The Creative Multi-Talent\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/GkoSM5R6Puw\" height=\"629\" width=\"1066\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eA Trio of Plug-Ins with Morphing EQ\u003c\/h3\u003e\n\u003cp\u003eAt the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different \"snapshots\".\u003c\/p\u003e\n\u003cp\u003eEach EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot!\u003c\/p\u003e\n\u003cp\u003eWith a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003ciframe title=\"Filterscape FX\/Q6 – Preset Walkthrough\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7btbPZBMRXw\" height=\"475\" width=\"845\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFilterscape FX Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 multimode filters, each with mixable lowpass, bandpass, highpass, and notch\u003c\/li\u003e\n\u003cli\u003eNEW in 1.5: 9 additional analog filter options (2-pole, 3-pole, 4-pole)\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ with five modes:\u003c\/li\u003e\n\u003cli\u003eLS-Peak-Peak-HS, 4 Peaks, LP-BP-BP-HP, 4 Bandpasses , Panned Bandpasses\u003c\/li\u003e\n\u003cli\u003e8 morphable snapshots for user-defined EQ settings\u003c\/li\u003e\n\u003cli\u003eModulation options for each EQ band\u003c\/li\u003e\n\u003cli\u003e2 signal mixers (roles depend on selected routing configuration)\u003c\/li\u003e\n\u003cli\u003eStereo delay with independent times for each channel\u003c\/li\u003e\n\u003cli\u003e2 host-synchronized sequencers, up to 16 steps, blend (glide) control\u003c\/li\u003e\n\u003cli\u003e2 host-synchronized LFOs with 8 waveforms\u003c\/li\u003e\n\u003cli\u003e4 envelope followers\u003c\/li\u003e\n\u003cli\u003e5 routing options for delay, filter, and EQ signal path\u003c\/li\u003e\n\u003cli\u003eOverhauled + expanded factory library - improved categorization, volume balancing, larger variety\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eUpgrading the Inner Workings\u003c\/h3\u003e\n\u003cp\u003eThe new multiband EQ is based on an analog model which has been optimized for rapid modulation, resulting in significantly improved audio quality when pushed to the limits.\u003c\/p\u003e\n\u003cp\u003eThe filter section has been expanded, introducing three new analog filter models that offer beautifully smooth drive and resonance characteristics.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMulti-Band Morphing EQ\u003c\/h3\u003e\n\u003cp\u003eGet surgical with the classic LS-Peak-Peak-HS mode or try your hand at the more exotic multi-bandpass modes.\u003c\/p\u003e\n\u003cp\u003eEither way, you can get up to 24 dB of cut and boost per band.\u003c\/p\u003e\n\u003cp\u003eEQ bands can be individually modulated at the snapshot level as well as globally.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eSnapshot Morphing\u003c\/h3\u003e\n\u003cp\u003eSmoothly transition between up to 8 different EQ settings: either manually, in auto-mode or using any of the available modulation sources.\u003c\/p\u003e\n\u003cp\u003eAutomate these snapshots in your DAW to suit different sections of your track.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eMulti-Mode Filters\u003c\/h3\u003e\n\u003cp\u003e2 parallel state-variable filters (lowpass, bandpass, highpass and notch) offer both legacy and novel analog-modeled designs.\u003c\/p\u003e\n\u003cp\u003eThe blender control lets you seamlessly fade between all 4 modes.\u003c\/p\u003e\n\u003cp\u003eIt even lets you blur the boundaries between the modes as you fade into an allpass, which is great for phasing effects.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":44366824734943,"sku":"UHE-FS","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/FilterscapeGui1.png?v=1695197742"},{"product_id":"u-he-diva-tom-wolfe-presets-bundle","title":"u-he Diva \u0026 Tom Wolfe Presets Bundle","description":"\u003ch3\u003eThis bundle includes:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eu-he Diva\u003c\/li\u003e\n\u003cli\u003eTom Wolfe Atmospheric Arpegs\u003c\/li\u003e\n\u003cli\u003eTom Wolfe Deep Basses\u003c\/li\u003e\n\u003cli\u003eTom Wolfe Luscious Pads\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/-PO84tYA6mA\" height=\"475\" width=\"845\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDiva: Dinosaur Impersonating Virtual Analog synthesizer\u003c\/h3\u003e\n\u003cp\u003eDiva captures the spirit of five decades of analog synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modeled for unmatched analog sound. More than a single synthesizer: Recreate an old favorite or mix-and-match modules to design your unique hybrid.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic, award-winning analog sound\u003c\/li\u003e\n\u003cli\u003eMix-and-match panels for custom layouts\u003c\/li\u003e\n\u003cli\u003ePer-voice oscillator detune and user-definable modulation source\u003c\/li\u003e\n\u003cli\u003eZero delay feedback (ZDF) filter design for authentic resonance behavior\u003c\/li\u003e\n\u003cli\u003e3 ADS(S)R envelope models based on classic synth hardware with keyboard follow and velocity scaling\u003c\/li\u003e\n\u003cli\u003e5 oscillators models based on classic synth hardware\u003c\/li\u003e\n\u003cli\u003e5 filter models based on classic synth hardware\u003c\/li\u003e\n\u003cli\u003e2 host-syncable LFOs with multiple waveforms, restart options, and phase controls\u003c\/li\u003e\n\u003cli\u003e2 stereo effects slots, each with chorus (3 modes), phaser (2 modes), plate reverb, delay, rotary speaker\u003c\/li\u003e\n\u003cli\u003eHost-syncable arpeggiator with continuous rate offset, swing, various progression options\u003c\/li\u003e\n\u003cli\u003eMIDI learn page and editable list\u003c\/li\u003e\n\u003cli\u003eResizable UI from 70% to 200%\u003c\/li\u003e\n\u003cli\u003eOver 1200 factory presets\u003c\/li\u003e\n\u003cli\u003eNEW in v1.4.5: Support for Oddsound MTS-ESP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAtmospheric Arpegs\u003c\/h3\u003e\n\u003cp\u003e50 presets - from soft and sweeping, to powerful and punchy, with much more in between, this soundbank features a wide range of arpeggiated synths for your tracks.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDeep Basses\u003c\/h3\u003e\n\u003cp\u003e50 presets - from deep and dark, to light and bright, with plenty in between, this soundbank features a wide range of bass synths for your tracks.\u003c\/p\u003e\n\u003cp\u003eWhether you're a media composer or electronic producer of any genre, you’ll find a toolkit full of instant low end inspiration.\u003c\/p\u003e\n\u003cp\u003eJust pick a preset, choose your notes and let the mood flow.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eLuscious Pads\u003c\/h3\u003e\n\u003cp\u003e50 presets - from thick and warm, to soft and serene, this soundbank features a wide range of pads for your tracks.\u003c\/p\u003e\n\u003cp\u003eWhether you're a media composer or electronic producer of any genre, you'll find a toolkit full of instant atmospheric inspiration.\u003c\/p\u003e\n\u003cp\u003eJust pick a preset, choose a chord sequence and let the mood flow.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":47001710592223,"sku":"UHE-DIVA-TW","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/DivaTomWolfePresetsBundle.png?v=1747903414"},{"product_id":"u-he-uhbik-2","title":"u-he Uhbik 2","description":"\u003ciframe width=\"661\" height=\"402\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/_Ys5NP_KgZw\" title=\"Uhbik 2.0: Creative FX Processing and Sound Design\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003chr\u003e\n\u003ch3\u003eSleek, Intuitive, and Powerful\u003c\/h3\u003e\n\u003cp\u003eA collection of ten sophisticated effects with support for surround formats up to 7.1.\u003c\/p\u003e\n\u003cp\u003ePerfect for adding the finishing touches to your regular projects or for building wild, experimental quadraphonic effect chains.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Ambience\u003c\/h3\u003e\n\u003cp\u003eGood reverb is seldom conspicuous, but when it is not there you always notice that something is missing.\u003c\/p\u003e\n\u003cp\u003eUhbik Ambience combines plate reverb and early reflections, with full control over each part.\u003c\/p\u003e\n\u003cp\u003eSometimes you will want a subtle touch of ambience, at other times a trip to outer space.\u003c\/p\u003e\n\u003cp\u003eUhbik Ambience's four operation modes are designed for different reverb styles.\u003c\/p\u003e\n\u003cp\u003eAll four share common controls that determine the spaciousness and feel.\u003c\/p\u003e\n\u003cp\u003eBass and Treble shape the reflections, mimicking the absorptive properties of natural environments.\u003c\/p\u003e\n\u003cp\u003eAdd subtle space and texture, or blend sounds together into warm clouds.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Delay\u003c\/h3\u003e\n\u003cp\u003eDrawing inspiration from classic tape echo units, Uhbik Delay's five taps (virtual playback heads) deliver vintage-style delay infused with modern digital flexibility.\u003c\/p\u003e\n\u003cp\u003eLike its analogue predecessors, Uhbik Delay features adjustable delay time (tape speed), and feedback.\u003c\/p\u003e\n\u003cp\u003eA pair of filters and the modulation options let you shape the sound from subtle motion to rich, evolving textures.\u003c\/p\u003e\n\u003cp\u003eFreed from the limitations of physical tape, Uhbik Delay goes further: Adjust the position of each tap to create ultra-short delays, intricate rhythmic feedback patterns, or immersive surround-sound effects.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUbhik Compressor\u003c\/h3\u003e\n\u003cp\u003eIn the role of a generic compressor, Uhbik Compressor does a fine job bringing level fluctuations under control or delivering compact, dense, breathing compression.\u003c\/p\u003e\n\u003cp\u003eBut there's more: Uhbik Compressor actually combines two compressors in series - a standard downward compressor for controlling peaks plus a gentle upward compressor (Inflation) feature that carefully enhances low-level detail.\u003c\/p\u003e\n\u003cp\u003eUhbik Compressor also offers two different detection modes: feed-forward is for precise, modern control, while feed-back delivers vintage response with a natural character but limited compression range.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Runciter: Distorting filter\u003c\/h3\u003e\n\u003cp\u003eFilters are THE classic tools for shaping sound-sculpting frequencies, adding resonance, and bringing tonal movement into your mix.\u003c\/p\u003e\n\u003cp\u003eBut with its powerful distortion circuitry, Uhbik Runciter goes way beyond the standard state-variable filter.\u003c\/p\u003e\n\u003cp\u003eIt packs some serious sonic character!\u003c\/p\u003e\n\u003cp\u003eControl the cutoff frequency manually or automate it via the built-in envelope follower, or connect a MIDI foot pedal and perform expressive fuzz\/wah effects.\u003c\/p\u003e\n\u003cp\u003eThe distortion section ranges from subtle saturation to audio mayhem.\u003c\/p\u003e\n\u003cp\u003eExperiment freely… but watch your speakers.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik EQ: Semi-parametric equalizer\u003c\/h3\u003e\n\u003cp\u003eUhbik EQ takes a streamlined approach: Maximum flexibility with an absolute minimum of controls, maximum audio quality with low CPU usage, tweakability supported by smart automatic behaviour.\u003c\/p\u003e\n\u003cp\u003eThe two semi-parametric bands have switchable shelf and bell curves; change the frequency and the Q-factor is automatically adjusted for you.\u003c\/p\u003e\n\u003cp\u003eThere are two additional filters for high and low cut, and a dedicated low-shelf filter for optimizing bass frequencies.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Grainshift\u003c\/h3\u003e\n\u003cp\u003eGrainshift slices incoming audio into small \"grains\" of adjustable size, then replays them at variable speeds.\u003c\/p\u003e\n\u003cp\u003eBy manipulating these grains, you can achieve everything from subtle doubling effects to wildly alien textures - or even create backward effects by setting negative playback speeds.\u003c\/p\u003e\n\u003cp\u003eGrainshift’s second operating mode, the FFT-based Phase Vocoder, shifts pitch by time-stretching\/compressing the audio.\u003c\/p\u003e\n\u003cp\u003eTry this on vocals for eerie to downright hilarious results!\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Shifter\u003c\/h3\u003e\n\u003cp\u003eUnlike the technically related Ring Modulation effect, frequency shifters output a single sideband offset by a constant value.\u003c\/p\u003e\n\u003cp\u003eAlthough similar to chorus or phasing, the Shifter doesn't require an LFO - the effect is a continuous smooth \"barber pole\", an almost psychedelic spatial effect that can be synchronized to song tempo.\u003c\/p\u003e\n\u003cp\u003eEven with all dials set to full frequency freak-out, the Uhbik Shifter never compromises audio quality: Care was taken to minimize the side-effects commonly associated with frequency shifters.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUbhik Flanger\u003c\/h3\u003e\n\u003cp\u003eThe classic \"whoosh\" of through zero flanging, created by simulating two tape machines per audio channel, one of which is slowed down slightly.\u003c\/p\u003e\n\u003cp\u003eAdditional parameters such as Drive, the high-pass filter, and positive or negative feedback let you fine-tune the tone and resonance, giving you everything from smooth motion to intensely swirling effects.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Phaser\u003c\/h3\u003e\n\u003cp\u003eAnother studio staple, the classic phaser adds dynamic, shifting colour to any sound.\u003c\/p\u003e\n\u003cp\u003eWith up to 42 all-pass filters, Uhbik Phaser delivers exceptionally rich and dramatic movement - supporting everything from stereo to full quadraphonic or 7.1 surround.\u003c\/p\u003e\n\u003cp\u003eIts resonant peaks glide across the spectrum, with feedback adding anything from silky, shimmering motion to sharp, metallic edge.\u003c\/p\u003e\n\u003cp\u003eA tweak or two can turn Uhbik Phaser into a true metal monster: New frequencies are created that were not present in the original signal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eUhbik Tremolo\u003c\/h3\u003e\n\u003cp\u003eTremolo in its simplest form is variation in volume, an LFO modulating amplitude.\u003c\/p\u003e\n\u003cp\u003eUhbik Tremolo goes beyond basic \"volume wobbling\" into multi-purpose rhythm creation.\u003c\/p\u003e\n\u003cp\u003eThe LFO can affect three parameters in parallel: volume, filter cutoff and stereo (or surround) position.\u003c\/p\u003e\n\u003cp\u003eYou can use the regular LFO for some interesting synchronized effects, but the real fun starts when you apply the 16-step user-definable patterns!\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":47498549526751,"sku":"UHE-UBK2","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/Uhbik2Guis.png?v=1760653039"},{"product_id":"uhe-zebra-3","title":"u-he Zebra 3","description":"\u003cp\u003e\u003ciframe title=\"Zebra 3 – Out now!\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/drXZP3fcy1w\" height=\"711\" width=\"1427\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eZebra 3 carries the unmistakable Zebra concept forward, rebuilt from scratch with state-of-the-art technologies spanning analog modelling, physical modelling and purely digital synthesis.\u003c\/p\u003e\n\u003cp\u003eA bold mix of popular and novel sound design possibilities meets a fresh user experience. Ready for workhorse tasks as well as remarkably deep and complex exploration.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAdaptive interface: Modules only appear when added to the patch, organised via drag and drop\u003c\/li\u003e\n\u003cli\u003eOver 1,200 factory presets\u003c\/li\u003e\n\u003cli\u003eUnified spline editor for oscillator waveforms and MSEG curves with geometric morphing\u003c\/li\u003e\n\u003cli\u003eTwo oscillator engines: Wavetable (up to 16× unison) or additive (up to 1024 partials, can be inharmonic)\u003c\/li\u003e\n\u003cli\u003e20 oscillator effects including spectral decay, sync, phase remapping and more\u003c\/li\u003e\n\u003cli\u003eFilters with 13 models, both classic and original (Ladder, Cascade, SVF etc) each offering up to 12 responses (e.g.\u003c\/li\u003e\n\u003cli\u003eLP, HP, BP with 6\/12\/18\/24 dB\/Oct)\u003c\/li\u003e\n\u003cli\u003eFM oscillators with 2 operators plus an audio input as a third operator\u003c\/li\u003e\n\u003cli\u003eModal resonators and comb filters with detailed control over feedback and damping for physical modelling synthesis\u003c\/li\u003e\n\u003cli\u003eNoise and Exciter modules for realistic transient and physical modelling sources\u003c\/li\u003e\n\u003cli\u003eVector \u0026amp; Scan mixers: Blend 4 sources with XY pad (loopable) or scan through them sequentially\u003c\/li\u003e\n\u003cli\u003ePitch, gate and trigger signals as first-class modulation - modular-style routing freedom\u003c\/li\u003e\n\u003cli\u003eMod Math modules for combining and transforming modulation signals\u003c\/li\u003e\n\u003cli\u003eMappers that act as step sequencers or as freely drawable transfer curves for other modulators\u003c\/li\u003e\n\u003cli\u003eRing modulators, distortions, wavefolders, equalizers (as global effects and per voice)\u003c\/li\u003e\n\u003cli\u003eDelays, multitap delay, reverbs, compressors etc. in global FX grid with per voice send amounts\u003c\/li\u003e\n\u003cli\u003eSupport for MPE, microtuning, MTS-ESP (realtime tuning)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003eGenerator Rack\u003c\/h3\u003e\n\u003cp\u003eZebra 3's Generator Rack is a modular synthesis playground.\u003c\/p\u003e\n\u003cp\u003eFour main Oscillators morph between hand-drawn spline waveforms and can render as classic wavetables with up to 16-voice unison or as additive engines with up to 1024 sine partials.\u003c\/p\u003e\n\u003cp\u003eEach Oscillator has two serial FX slots offering 20 processes from spectral filtering and phase distortion to animated spectral decay.\u003c\/p\u003e\n\u003cp\u003eFour FM Oscillators (comprising a modulator and carrier pair) chain freely - each accepts any rack signal as a third operator, so you can build complex FM algorithms without a fixed topology.\u003c\/p\u003e\n\u003cp\u003eNoise generators, Exciters and Modal Resonators are designed to work together: drive a marimba or bell profile with a shaped noise burst or a patterned pluck excitation, then route the result through one of over 105 filter responses - including some of the finest analogue-modelled filters we have ever made - a Comb in reverb mode, or straight into an FM Oscillator as a modulator.\u003c\/p\u003e\n\u003cp\u003eDedicated Wavefolder, Ring Modulator and Distortion modules add harmonics anywhere in the signal path.\u003c\/p\u003e\n\u003cp\u003eVector mixing lets you crossfade or XY-morph between four sources, and almost every parameter across the rack - filter cutoff, fold depth, comb detune, resonator position - is a valid modulation target.\u003c\/p\u003e\n\u003cp\u003eThe result is a single voice architecture that can go from pristine additive pads to gnarly physical-modelling textures without ever leaving the Grid.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eModulation Rack\u003c\/h3\u003e\n\u003cp\u003eZebra 3 treats modulation as seriously as sound generation.\u003c\/p\u003e\n\u003cp\u003eFour ADSR Envelopes offer velocity sensitivity and a One Shot mode, with two Vary parameters adding options like delay, curvature (self-modulation), stretching or key scaling.\u003c\/p\u003e\n\u003cp\u003eFour LFOs cover sine, triangle, saw, square, sample-and-hold and smooth random - with tempo sync, phase offset and a delay ramp for gradual onset.\u003c\/p\u003e\n\u003cp\u003eFour MSEGs take things further: up to eight morphable curves along a shared timeline with freely positioned loop points, using the same spline editor as the oscillator.\u003c\/p\u003e\n\u003cp\u003eAttack, loop and release macros dynamically scale the speed and amplitude.\u003c\/p\u003e\n\u003cp\u003eBeyond the Rack, on their own page, four dedicated Pitch modules give detailed control over tuning, glide and quantisation, independently managing up to four pitched parts within a single voice.\u003c\/p\u003e\n\u003cp\u003eAnd critically, many modulators double as triggers: an MSEG can drive an Exciter for patterned physical-modelling sequences, bringing rhythmic and melodic structure into the voice itself.\u003c\/p\u003e\n\u003cp\u003eIn Zebra 3, pitch and gates live on equal footing with regular modulations.\u003c\/p\u003e\n\u003cp\u003eShaping and combining modulation sources is a particularly interesting area: Four Mappers let you reshape any modulation signal through a custom transfer curve - turning a linear ramp into a logarithmic sweep or a smooth fade into a stepped pattern - and trigger signals can transform a Mapper into a step sequencer.\u003c\/p\u003e\n\u003cp\u003eFour Mod Math modules combine, multiply and transform sources before they reach their target, so you can ring-modulate two LFOs against each other or gate randomness with an envelope - all without touching the signal chain.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eEffects Rack\u003c\/h3\u003e\n\u003cp\u003eZebra 3's FX Grid receives audio from the four voice lanes via four global buses, Main plus three auxiliary sends.\u003c\/p\u003e\n\u003cp\u003eThe send levels from the voice grid are modulatable per voice, so effects depth becomes part of the polyphonic expression even though the effects themselves are global.\u003c\/p\u003e\n\u003cp\u003eThe rack is built for impact.\u003c\/p\u003e\n\u003cp\u003eModFX units cover chorus, flanging and phasing with their own internal LFOs, going well beyond typical stage counts - e.g. up to eight-voice chorus and 24-stage phasers with a choice of digital or analogue feel.\u003c\/p\u003e\n\u003cp\u003eDelays offer mono, stereo and ping-pong modes with tempo-synced note divisions, feedback filtering, modulation and a Diffusion (smearing) option, available in both analogue-modelled and digital flavours.\u003c\/p\u003e\n\u003cp\u003eTwo Reverb models - Classic and Lush - offer everything from tight rooms to vast halls, while the TextureVerb effect scatters granular micro-fragments of audio for shimmering, abstract ambiences.\u003c\/p\u003e\n\u003cp\u003eCompressors placed anywhere in the grid can glue a reverb tail, tame the dynamics after deep modulation effects, or produce sidechain-style pumping entirely within the patch.\u003c\/p\u003e\n\u003cp\u003eEQs, Filters, Distortion, Ring Modulator and Wavefolder modules are the same as their namesakes in the Generator Rack, so the tonal options you know from voice-level processing are also available for post-mix shaping.\u003c\/p\u003e\n\u003cp\u003eTwo stereo mixers, a 4-in-1 mixer with vector and scan function, plus a complex 4-in-4 mixer are also available in the FX section.\u003c\/p\u003e","brand":"UHE","offers":[{"title":"Default Title","offer_id":48998020710623,"sku":"UHE-ZEB3","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/files\/Zebra3Gui1.jpg?v=1776701451"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0016\/5173\/6636\/collections\/u-he-logo.png?v=1524432653","url":"https:\/\/pluginfox.com\/collections\/uhe\/virtual-instruments.oembed","provider":"PluginFox","version":"1.0","type":"link"}